The Banco de España’s Archive: a 30 km journey through history

Patricia Alonso , Raquel Jiménez and Rosario Calleja

Did you know that the Banco de España’s Archive houses plans of major public works, beautifully handwritten papers and photographs that document life over more than two centuries? Let’s accompany Patricia Alonso, Raquel Jiménez and Rosario Calleja on a journey across 30 kilometres of shelves to discover how we preserve an institution’s memories, which are, after all, the collective memories of a whole society.

"Since the very beginning, our document collection has been extraordinarily rich and extensive. It constitutes our memories, the collective memories of society itself, which allow us to trace our political, social, economic and also cultural history."

You may listen to this episode using automatic dubbing in other languages (not generated or reviewed by the Banco de España), by selecting the preferred audio track in the YouTube settings icon.

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How to journey through 30 kilometres of History without leaving the Banco de España’s Archive

When we think of an Archive, we generally imagine a quiet place, packed with old books and papers. Yet the Banco de España’s Archive is much more than a collection of documents: it is the living memory of an institution and, at the same time, a reflection of Spain’s economic, social and cultural history.

In this episode of CIENxCIEN, Ana Comellas talks to Patricia Alonso, Raquel Jiménez and Rosario Calleja, all of whom are archivists in the Bank’s Historical and General Archive, to find out how such a unique document collection that spans more than 240 years of history and almost 30 linear kilometres of documents has been built up and conserved.

Ranging from the very first documents of the Banco de San Carlos, founded in 1782, to the Banco de España’s current records, the Archive holds minute books, plans of major public works, accounting ledgers, photographs, personal files and documents that allow us to reconstruct not only the history of the Bank itself but also of the society it has served. Each document is part of a coherent whole that gives context to the decisions made, projects undertaken and those involved over the course of time, demonstrating that an institution cannot be fully understood without its archive, nor an archive without its institution.

During the conversation our experts explain that documents do not come to be part of the Historical Archive at random. Rather, all documents travel a long path, from their origination and subsequent use in the Bank’s day-to-day activity until, following evaluation and selection by experts, some are deemed to be of historical, cultural or informative value and are held permanently. This work ensures that documents do not become hidden treasures, but instead accessible and orderly sources of information for researchers, institutions and society at large.

The episode also addresses how each era makes its mark, as the form of documentary media changes. Today, beautifully handwritten 18th-century books made from top-quality materials co-exist with fragile photographs and digital documents. The form of the documentation has changed, but the challenge remains the same: to conserve the information and ensure it is available to future generations. During the conversation the archivists explain the work they do today to safeguard the memories of tomorrow.

This episode of CIENxCIEN is an invitation to take a fresh look at the archives and to understand that document conservation – whether on paper, photographs or in binary form – is an essential way to ensure that history continues to be written.

What’s more, this episode comes with extra content! We couldn’t possibly discuss the Banco de España’s Archive without considering the women who are also part of its memory and yet were for a long time invisible. In this additional section we delve into the Historical Archive’s photographic collection, to recover, through the images and accompanying documents, the stories of the Banco de España’s first female employees and of many other working women whose lives were captured in photographs and files. This venture shows how photography tells the history not only of those who took centre stage but also of those who were confined to the background.

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Transcription (in Spanish) (142 KB)
Patricia Alonso
Patricia Alonso
  • Patricia is a graduate in the History of Art from the University of Valencia, with specialist studies in archives from UNED and Universidad Autónoma de Barcelona. After working in cultural management at various organisations, in 2010 she joined the Banco de España’s Historical Archives team where her work has included processing and disseminating documentary, photographic and numismatic heritage. She has also authored various articles in these fields.
Raquel Jiménez
Raquel Jiménez
  • Raquel graduated in History from Universidad Complutense de Madrid, specialising in History of the Americas, and holds a Diploma in Library and Information Sciences from Universidad Carlos III de Madrid and a postgraduate in archive studies from UNED. She has worked in national archives, primarily at the local level, and also in archives of private charitable organisations. In 2012 she joined the Banco de España’s General Archives team.
Rosario Calleja
Rosario Calleja
  • Rosario holds a degree in Geography and History from Universidad Complutense, where she specialised in Contemporary History. She also has a Diploma in Archive and Documentation Sciences from the Spanish Ministry of Culture (National Library of Spain) and is a member of the teams that pioneered historical research into women in Spain, with various publications to her name. Rosario has spent her entire career in the Banco de España’s Historical and General Archive.
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